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Art and Text in Byzantine Culture

Hardback

Main Details

Title Art and Text in Byzantine Culture
Authors and Contributors      Edited by Liz James
Physical Properties
Format:Hardback
Pages:256
Dimensions(mm): Height 260,Width 185
Category/GenreAncient and classical art BCE to c 500 CE
Byzantine and medieval art c 500 CE to c 1400
ISBN/Barcode 9780521834094
ClassificationsDewey:709.0214
Audience
Professional & Vocational
Illustrations 8 Plates, unspecified; 48 Halftones, unspecified

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 11 June 2007
Publication Country United Kingdom

Description

Art and Text in Byzantine Culture explores the relationship between images and words, and examines the different types of interactions between pictures and texts in Byzantine art. Byzantium is the only major world power to have experienced political upheaval on a vast scale as a result of an argument about art. Consequently, the dynamic between art and text in Byzantium is essential to understanding Byzantine art and culture. It allows us to explore the close linking of image and word in a society where the correct relationship between the two was critical to the well-being of the state. Composed of specially-commissioned essays written by an international team of scholars, this volume analyzes how the Byzantines wrote about art, how images and text work together in Byzantine art and how the words written on Byzantine artworks contribute to their meaning.

Author Biography

Liz James is Reader in Art History at the University of Sussex and Associate Director of the AHRC Centre for Byzantine Cultural History. She is the author of Empresses and Power in Early Byzantium.

Reviews

'... beautifully produced, well edited and a pleasure to read. The nine essays it contains are of high quality, accompanied by copious notes placed at the end of each essay. There are also colour illustrations, an appendix of Greek texts, a selected bibliography, and an index. It is a work aimed at a readership of specialists and advanced students of the Byzantine Empire. Having said this, however, one needs to add that a general public too would find it rewarding reading.' Bryn Mawr Classical Review