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Women Writers and National Identity: Bachmann, Duden, OEzdamar
Hardback
Main Details
Title |
Women Writers and National Identity: Bachmann, Duden, OEzdamar
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Authors and Contributors |
By (author) Stephanie Bird
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Series | Cambridge Studies in German |
Physical Properties |
Format:Hardback | Pages:258 | Dimensions(mm): Height 229,Width 152 |
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Category/Genre | Literary studies - from c 1900 - |
ISBN/Barcode |
9780521824064
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Classifications | Dewey:830.90091 |
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Audience | Postgraduate, Research & Scholarly | |
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
29 September 2003 |
Publication Country |
United Kingdom
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Description
In Women Writers and National Identity, Stephanie Bird offers a detailed analysis of the twin themes of female identity and national identity in the works of three major twentieth-century German-language women writers. Bird argues for the importance of an understanding of ambiguity, tension and contradiction in the fictional narratives of Ingeborg Bachmann, Anne Duden and Emine OEzdamar. She aims to demonstrate how ambiguity is itself central to the development of an understanding of identity and that literary texts are uniquely able to point to the ethical importance of ambiguity through their stylistic complexity. Bird gives close readings of the three writers and draws on feminist theory and psychoanalysis to elucidate the complex nature of individual identity. This book will be of interest to literary and women's studies scholars as well as Germanists.
Author Biography
Stephanie Bird is Lecturer in German at University College London. She is the author of Recounting Historical Women (1998) and of articles in journals, including MLR, Austrian Studies and FMLS.
Reviews'Detailed and thoughtful, Bird's close readings of all three authors engage with central debates in their reception. She offers important new perspectives on each one, while also demonstrating, as well as arguing for, a more differentiated and indeed critical approach within feminist library criticism in particular.' MLR
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