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Visualizing Labor in American Sculpture: Monuments, Manliness, and the Work Ethic, 1880-1935
Paperback / softback
Main Details
Title |
Visualizing Labor in American Sculpture: Monuments, Manliness, and the Work Ethic, 1880-1935
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Authors and Contributors |
By (author) Melissa Dabakis
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Series | Cambridge Studies in American Visual Culture |
Physical Properties |
Format:Paperback / softback | Pages:314 | Dimensions(mm): Height 254,Width 178 |
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Category/Genre | Sculpture |
ISBN/Barcode |
9780521283274
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Classifications | Dewey:730.973 |
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Audience | Professional & Vocational | |
Illustrations |
Worked examples or Exercises
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
9 June 2011 |
Publication Country |
United Kingdom
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Description
Originally published in 1999, Visualizing Labor in American Sculpture focuses on representations of work in American sculpture, from the decade in which the American Federation of Labor was formed, to the inauguration of the federal works project that subsidized American artists during the Great Depression. Monumental in form and commemorative in function, these sculptural works provide a public record of attitudes toward labor in a transitional moment in the history of relations between labor and management. Melissa Dabakis argues that sculptural imagery of industrial labor shaped attitudes towards work and the role of the worker in modern society. Restoring a group of important monuments to the history of labor, gender studies and American art history, her book focuses on key monuments and small-scale works in which labor was often constituted as 'manly' and where the work ethic mediated both production and reception.
Reviews"Dabakis' study illuminates the contributions of both public monuments and genre sculptures to contemporary understandings of the value of labor. It is important and innovative in its insistence that constructing meanings for these works was a historically mediated and at times ideologically combative process that actively engaged patrons, artists, and also viewers." Helen Langa, The Journal of American History "...engaging, provocative, and beautifully designed book. This book's signal achievement is its effective melding of the traditional strengths of art history...For public historians, Dabakis opens up sources and approaches that enrich our consideration of the ways that public memory is expressed, shaped, and contested." The Public Historian "a sophisticated combination of social and art historical analysis." American Historical Review "Dabakis has done an extraordinary job researching each of these monumenting to discern the evolving and intertwing discourses about gender, work, and politics that surround each sculptural project...provides helpful historical background" Winterthur Portfolio 36:1 "Offering a refreshing thematic approach to a study of American sculpture, this book connects the subject of American labor in both large- and small-scale sculpture to the context of history, gender roles, and even the dynamics of labor-management." Choice
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