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The Letters of D. H. Lawrence: Volume 1, September 1901-May 1913

Hardback

Main Details

Title The Letters of D. H. Lawrence: Volume 1, September 1901-May 1913
Authors and Contributors      By (author) D. H. Lawrence
Edited by James T. Boulton
SeriesThe Cambridge Edition of the Letters of D. H. Lawrence
Physical Properties
Format:Hardback
Pages:616
Dimensions(mm): Height 216,Width 138
Category/GenreBiographies and autobiography
Literary studies - from c 1900 -
Literary studies - fiction, novelists and prose writers
ISBN/Barcode 9780521221474
ClassificationsDewey:823.912
Audience
Professional & Vocational
Illustrations 7 Maps; 35 Halftones, unspecified; 1 Line drawings, unspecified

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 11 September 1979
Publication Country United Kingdom

Description

Volume I of the Letters, edited by James T. Boulton, gives the first 580 letters in the series, covering the period September 1901 to May 1913. This is the time of Lawrence's youth in Eastwood, his first year out of England - in Italy with Frieda - to the publication of Sons and Lovers. There are letters to his early loves, Jessie Chambers, Louie Burrows and Helen Corke. He writes The White Peacock, The Trespasser, Sons and Lovers, the early stories and poems. He is welcomed into the literary world by editors such as Ford and Garnett; he meets Pound and other writers; he reads widely. His mother dies; he grows away from the younger women; he meets Frieda and elopes with her. Professor Boulton's discreet annotation conceals an enormous labour of patient detection. There are over thirty photographs of his friends and correspondents and a newly discovered portrait miniature of Lawrence.

Reviews

'The splendid Cambridge Edition of the Letters of D. H. Lawrence is most welcome. It has all the virtues of a good modern scholarly edition of a writer's letters. Though one has already been familiar with many aspects of Lawrence's personality in his other writings, this comprehensive edition of his letters projects a cohesive self-portriat of the living artist.' English Studies: A Journal of English Language and Literature