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Women, Sociability and Theatre in Georgian London

Paperback / softback

Main Details

Title Women, Sociability and Theatre in Georgian London
Authors and Contributors      By (author) Gillian Russell
SeriesCambridge Studies in Romanticism
Physical Properties
Format:Paperback / softback
Pages:310
Dimensions(mm): Height 229,Width 152
Category/GenreDrama
ISBN/Barcode 9780521147743
ClassificationsDewey:792.0942109033
Audience
Professional & Vocational
Illustrations Worked examples or Exercises

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 24 June 2010
Publication Country United Kingdom

Description

Mid-eighteenth-century London witnessed a major expansion in public culture as a result of a rapidly commercialising society. Of the many sites of entertainment, the most celebrated (and often notorious) were the Carlisle House club, the Pantheon, and the Ladies Club or Coterie. In this major study of these institutions and the fashionable sociability they epitomised, Gillian Russell examines how they transformed metropolitan cultural life. Associated with lavish masquerades, excesses of fashion, such as elaborate hairstyles, and scandalous intrigues, these venues suggested a feminisation of public life which was profoundly threatening, not least to the theatre of the period. In this highly illustrated and original contribution to the cultural history of the eighteenth century, Russell reveals fresh perspectives on the theatre and on canonical plays such as The School for Scandal, as well as suggesting a prehistory for British Romanticism.

Reviews

'Russell succeeds well in presenting a very densely peopled world where a wide variety of women, from duchesses to Bluestockings to actresses have seized center stage. Throughout, there is an impressive range of reference to modern scholars and, above all the newspapers, magazines, engravings, and cartoons of the period.' Restoration and Eighteenth-Century Theatre Research 'This is a book that links cultural history, theatre history, and gender to expand our understanding of each and to shed new light on the period as a whole.' The Journal of Theatre Survey