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The Works of John Webster: Volume 3: An Old-Spelling Critical Edition

Paperback / softback

Main Details

Title The Works of John Webster: Volume 3: An Old-Spelling Critical Edition
Authors and Contributors      Edited by David Gunby
Edited by David Carnegie
Edited by MacDonald P. Jackson
SeriesThe Works of John Webster
Physical Properties
Format:Paperback / softback
Pages:580
Dimensions(mm): Height 229,Width 152
Category/GenrePlays, playscripts
ISBN/Barcode 9780521084987
ClassificationsDewey:822.3
Audience
Undergraduate
Postgraduate, Research & Scholarly
Illustrations 19 Halftones, unspecified

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 14 October 2008
Publication Country United Kingdom

Description

This is the third and final volume of the Cambridge edition of the works of John Webster. It contains the final complete play in the edition, the City comedy Anything for a Quiet Life, as well as Webster's spectacular Lord Mayor's pageant Monuments of Honour and his Induction and additions to John Marston's The Malcontent. Webster's non-dramatic work is also included: the deeply felt verse elegy to Prince Henry entitled A Monumental Column, his various shorter poems, including verses for the engraving of The Progeny of ... Prince James, and the thirty-two New Characters added to the sixth edition of Sir Thomas Overbury's Characters. This Cambridge critical edition preserves the original spelling of all the plays, poetry and prose, and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays, and new critical methods and textual theory.

Author Biography

David Gunby is Dean of Postgraduate Studies, University of Canterbury. David Carnegie is Professor of Theatre at Victoria University of Wellington, New Zealand. MacDonald P. Jackson is Emeritus Professor of English and Honorary Research Fellow, University of Auckland.

Reviews

"...this final volume, which could have seemed like a mere footnote to Webster's great dramatic works, sustains our interest in and enthusiasm for a playwright too often characterized, even today, as a purveyor of mere Gothic frissons illuminated by brilliant flashes of charnel-house verse." -Peter Malin, Early Theater