To view prices and purchase online, please login or create an account now.



The New York Concert Saloon: The Devil's Own Nights

Paperback / softback

Main Details

Title The New York Concert Saloon: The Devil's Own Nights
Authors and Contributors      By (author) Brooks McNamara
SeriesCambridge Studies in American Theatre and Drama
Physical Properties
Format:Paperback / softback
Pages:172
Dimensions(mm): Height 229,Width 153
Category/GenreVariety shows, music hall and cabaret
ISBN/Barcode 9780521036993
ClassificationsDewey:792.70973
Audience
Professional & Vocational
Illustrations 16 Halftones, unspecified

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 28 May 2007
Publication Country United Kingdom

Description

In this book Brooks McNamara explores the world of the concert saloon in New York from the Civil War to the early years of the twentieth century. A concert saloon is defined as an establishment offering various kinds of entertainment, including alcohol, with some also providing gambling and prostitution. All of these saloons employed 'waiter girls' to sell drinks and sit with male customers and all had bad reputations. McNamara focuses on the theatrical aspects of the concert saloon and examines the sources of saloon shows, the changes in direction during the century, the performing spaces and equipment, as well as the employees and patrons. McNamara paints a picture of a lively and theatrically fascinating environment and his work sheds light on our understanding of American popular theatre. The book contain informative illustrations and will be of interest to historians of theatre, popular culture and American social history.

Author Biography

Brooks McNamara is Professor of Performance Studies, Emeritus, in the Tisch School of the Arts at New York University, and Director, Emeritus of the Shubert Archive. He is a specialist in the history of popular entertainment and has published widely in the area including The American Playhouse in the Eighteenth Century and in, among others, American Popular Entertainments, as editor.

Reviews

' ... full of interest ...' The Stage