|
The Power of the Passive Self in English Literature, 1640-1770
Paperback / softback
Main Details
Title |
The Power of the Passive Self in English Literature, 1640-1770
|
Authors and Contributors |
By (author) Scott Paul Gordon
|
Physical Properties |
Format:Paperback / softback | Pages:292 | Dimensions(mm): Height 229,Width 152 |
|
Category/Genre | Literary studies - general |
ISBN/Barcode |
9780521021845
|
Classifications | Dewey:820.9353 |
---|
Audience | Professional & Vocational | |
Illustrations |
Worked examples or Exercises
|
|
Publishing Details |
Publisher |
Cambridge University Press
|
Imprint |
Cambridge University Press
|
Publication Date |
3 November 2005 |
Publication Country |
United Kingdom
|
Description
Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external 'prompter'. Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa.
Author Biography
Scott Paul Gordon is an Associate Professor of English at Lehigh University. He has published numerous articles on seventeenth- and eighteenth-century subjects.
Reviews"The Power of the Passive Self is an impressive and original book that makes an important contribution to current scholarship on the origins of the modern individual." Eighteenth-Century Fiction
|