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Aeschylus Plays: II: The Oresteia; Agamemnon; The Libation-bearers; The Eumenides
Paperback / softback
Main Details
Title |
Aeschylus Plays: II: The Oresteia; Agamemnon; The Libation-bearers; The Eumenides
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Authors and Contributors |
Edited by J. Michael Walton
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By (author) Aeschylus
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By (author) Aeschylus
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Translated by Frederic Raphael
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Translated by Kenneth McLeish
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Series | Classical Dramatists |
Physical Properties |
Format:Paperback / softback | Pages:164 | Dimensions(mm): Height 203,Width 127 |
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Category/Genre | Plays, playscripts |
ISBN/Barcode |
9780413654809
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Classifications | Dewey:882.01 |
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Audience | Tertiary Education (US: College) | General | Professional & Vocational | |
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Publishing Details |
Publisher |
Bloomsbury Publishing PLC
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Imprint |
Methuen Drama
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Publication Date |
16 September 1991 |
Publication Country |
United Kingdom
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Description
Four of Aeschylus' greatest plays reissued in the new Classical Greek Dramatists series Includes the Oresteia trilogy, a key sequence of plays within the Western dramatic tradition - widely studied in schools and universities. Agamemnon tells the tale of the king's return from the battle of Troyto find that his wife has laid out a red carpet to welcome him that will, ironically, lead him to his death; The Libation Bearers continues the saga into the next generation with Orestes and Electra seeking justice for their dead father whilst in the Eumenides, the traces of inherited bloodlust are laid to rest by the figure of Athene. Translated with an introduction and notes from J. Michael Walton - the series editor for the Greek classics and reissued in the new Methuen Classical Greek Dramatists series in stylish, new and modern jackets.
Author Biography
J. Michael Walton has published and edited seven books on classical theatre history and has nine translations of Euripides plays in print, many on the Methuen Drama list. He is Emeritus Professor of Drama at the University of Hull where he taught from 1965 to 2002. While there he directed numerous plays and taught courses in Classical Theatre, Masks and Puppets, Russian Theatre, American Theatre, Nineteenth and Twentieth Century Theatre, Directing and Acting. Born in Eleusis, he served in the army, was wounded at Marathon (490BC) and probably fought at Salamis (480). His plays include: The Persians, Seven Against Thebes, Prometheus Bound, SUppliants and the Oresteia, which comprises three plays about the murder of Agamemnon and its consequences and was his last great success on the Athenian stage (458)., Aeschylus (525-456 BC) The father of Greek tragic drama, usually considered the first great writer in the Western theatrical tradition. Only seven plays, of over 70 known titles, are extant. These are The Persians (472 BC), Seven Against Thebes (469 BC), Prometheus Bound (c. 460 BC), The Suppliant Women (c. 460 BC), and the Oresteia trilogy (458 BC), comprising Agamemnon, Choephoroi, and Eumenides. He also wrote numerous satyr plays, which have only survived in fragmentary form. Aeschylus's work is powerful and operatic, using majestic but often innovative language. His attitude to Greek society and religion was generally conservative, although he boldly depicted the sufferings of men and woman when moral systems, and the gods themselves, are in conflict. Legend says he was killed by a tortoise dropped by an eagle (to break the shell) on his bald head (mistaken for a stone). His tombstone makes no mention of his literary works, referring only to his service at the Battle of Marathon (490 BC). Aeschylus (525-456 BC) The father of Greek tragic drama, usually considered the first great writer in the Western theatrical tradition. Only seven plays, of over 70 known titles, are extant. These are The Persians (472 BC), Seven Against Thebes (469 BC), Prometheus Bound (c. 460 BC), The Suppliant Women (c. 460 BC), and the Oresteia trilogy (458 BC), comprising Agamemnon, Choephoroi, and Eumenides. He also wrote numerous satyr plays, which have only survived in fragmentary form. Aeschylus's work is powerful and operatic, using majestic but often innovative language. His attitude to Greek society and religion was generally conservative, although he boldly depicted the sufferings of men and woman when moral systems, and the gods themselves, are in conflict. Legend says he was killed by a tortoise dropped by an eagle (to break the shell) on his bald head (mistaken for a stone). His tombstone makes no mention of his literary works, referring only to his service at the Battle of Marathon (490 BC). Frederic Raphael was born on August 14th 1931 in Chicago, and emigrated to England with his parents in 1938. He was educated at independent schools in Sussex and Surrey, before studying at St John's College, Cambridge. His career spans work as a screenwriter and a prolific novelist and journalist. In 1965 Raphael won an Oscar for the 1965 movie Darling, and two years later received an Oscar nomination for his screenplay for Two for the Road. He collaborated on the screenplay of Stanley Kubrick's last film Eyes Wide Shut, and wrote a controversial memoir of their time together, Eyes Wide Open in 1999. Kenneth McLeish studied Classics and Music at Worcester College, Oxford. Once a full-time translator, author and dramatist, he published extensively including The Good Reading Guide, Shakespeare's People, The Theatre of Aristophanes, Companion to the Arts in the Twentieth Century, Myth, The Listener's Guide to Classical Music and Crucial Classics (both with Valerie McLeish) and The Bloomsbury Guide to Human Thought (as general editor). His original plays and his translations - from ancient Greek drama, as well as from Strindberg, Ibsen Moliere and Strindberg - have been widely performed, most notably by the National Theatre and the Royal Shakespeare Company.
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