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Draw Me After: Poems

Hardback

Main Details

Title Draw Me After: Poems
Authors and Contributors      By (author) Peter Cole
Physical Properties
Format:Hardback
Pages:128
Dimensions(mm): Height 208,Width 135
Category/GenrePoetry
ISBN/Barcode 9780374605360
ClassificationsDewey:811.54
Audience
General
Illustrations 8 Black-and-White Images in Text

Publishing Details

Publisher Farrar, Straus & Giroux Inc
Imprint Farrar, Straus & Giroux Inc
Publication Date 22 November 2022
Publication Country United States

Description

Peter Cole's luminous new book calls us to poetry's lyric root and power: "Wanting song / in the beginning / beginning to end /now we are falling . . ." In Draw Me After, his sixth collection, and in many ways his freest and most moving to date, Cole evolves a supple, singular music that charts regions of wonder and danger, from Eden as a mythic place of first response and responsibility to sites of psychological, natural, and political catastrophe. At the heart of the volume lie two remarkable series: one "translates" drawings by the artist Terry Winters into a textured language spun from the material abstractions of Winters's gnomic, celebratory art; the other winds through the book in dreamlike fashion, offering prismatic and often haunting meditations on the letters of the Hebrew alphabet-in kabbalistic tradition, the building blocks of existence. Inventive and receptive, physical, metaphysical, and playful, Cole's poetry disturbs and enchants with what one critic has called "a quiet, streaming power that leads the reader back to it over and over again" (The Bloomsbury Review).

Author Biography

Peter Cole was born in Paterson, New Jersey, in 1957. The author of five previous books of poems, he has also translated widely from Hebrew and Arabic works-both medieval and modern. He is the recipient of many honors, including a Guggenheim Fellowship, an American Academy of Arts and Letters Award in Literature, a PEN Translation Prize for Poetry, a National Jewish Book Award, and a MacArthur Fellowship. He divides his time between Jerusalem and New Haven.

Reviews

Praise for Draw Me After "Peter Cole has been merging the work of poet and translator for nearly half a century, reminding us that writing is always a translation--of thought, impulse, feeling, memory, image, time . . . Cole's voice is incomparable." --Jesse Nathan, McSweeney's "It is rare for a poet to produce a book as memorable as The Invention of Influence (2014) and then bring forth another title that is just as distinct and remarkable . . . An outstanding collection." --Michael Autrey, Booklist (Starred Review) "A stunning book. Beautiful, delicate, tough, intricate, clear--often in the same poem. This really is 'equipment for living.'" --Christian Wiman, author of Survival Is a Style "'Waking the letters from their slumber' that's Peter Cole's mad, sublime task in these phantasmagoric poems. Every line of this book breaks the literal--the letters--into visionary scenes where sorrow marries joy and blessings almost rhyme with curse. A revelation." --Rosanna Warren, author of So Forth "Peter Cole shows himself in Draw Me After to be our great master of ekphrasis. Visually, sonically, rhythmically, semantically, his are some of the most inventive, witty, profound, and genuinely beautiful lyric poems of our moment." --Marjorie Perloff, author of Infrathin: An Experiment in Micropoetics Praise for Peter Cole "One of the best religious poets writing in English." --Anthony Domestico, Commonweal "Peter Cole's work defies traditional distinctions--between old and new, foreign and familiar, translation and original... [The] rigor, vigor, joy, and wit of his [poems] have expanded the imaginative capacities of what the unimaginative might call his 'target language'." --Joshua Cohen, Paris Review "[Peter Cole's] poetry is remarkable for its combination of intellectual rigor with delight in surface, for how its prosody returns each abstraction to the body, linking thought and breath, metaphysics and musicality. Religious, erotic, elegiac, pissed off--the affective range is wide and the forms restless." --Ben Lerner, Bomb Magazine