|
Gilgi, One of Us
Paperback / softback
Main Details
Title |
Gilgi, One of Us
|
Authors and Contributors |
By (author) Irmgard Keun
|
Series | Penguin Modern Classics |
Physical Properties |
Format:Paperback / softback | Pages:192 | Dimensions(mm): Height 198,Width 129 |
|
Category/Genre | Classic fiction (pre c 1945) |
ISBN/Barcode |
9780241391808
|
Classifications | Dewey:833.912 |
---|
Audience | |
|
Publishing Details |
Publisher |
Penguin Books Ltd
|
Imprint |
Penguin Classics
|
Publication Date |
5 December 2019 |
Publication Country |
United Kingdom
|
Description
A brilliant feminist novel from Weimar Germany, from the author of Child of All Nations Gilgi knows where she's going in life- she's ambitious, determined and fearless. She's not even derailed when her parents drop a massive bombshell on her twenty-first birthday. But then she meets the charming but aimless Martin, and for the first time, Gilgi finds herself blown bewilderingly and dangerously off-course. Set in Cologne against the backdrop of rising Nazism, Irmgard Keun's astonishing debut electrified Weimar Germany. With its frank exploration of sex, abortion, work and love, it feels as fresh today as when it first appeared.
Author Biography
Irmgard Keun was born in Berlin in 1905 and found instant success with her novels Gilgi (1931) and The Artificial Silk Girl (1932). Everything changed in 1933 when the Nazis blacklisted her and destroyed her books; in response, she attempted to sue the Gestapo for loss of earnings. She left Germany (and her husband) in 1936 and lived in exile in Europe, where she wrote Child of All Nations (1936) and After Midnight (1937). She sneaked back into Germany in 1940 under a false name and spent the rest of the war in Cologne. In later years, she wrote for magazines and radio and raised a daughter alone. She died in 1982.
ReviewsA gem of novel, a bittersweet delight ... Keun brilliantly conveys both the decadence and the despair of late-era Weimar Germany ... Expertly translated by Geoff Wilkes * Herald Scotland * I was struck by how contemporary the novel feels ... A female Times reviewer in 1932 noted that 'countless hard-working, industrious, healthy young girls recognized themselves in the heroine'. I suspect many members of our #MeToo generation will do so as well * The New York Times * The overwhelming power of Keun's work lies in her surprisingly raw, witty, and resonant feminine voices * Bookslut *
|