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Gilgi, One of Us

Paperback / softback

Main Details

Title Gilgi, One of Us
Authors and Contributors      By (author) Irmgard Keun
SeriesPenguin Modern Classics
Physical Properties
Format:Paperback / softback
Pages:192
Dimensions(mm): Height 198,Width 129
Category/GenreClassic fiction (pre c 1945)
ISBN/Barcode 9780241391808
ClassificationsDewey:833.912
Audience
General

Publishing Details

Publisher Penguin Books Ltd
Imprint Penguin Classics
Publication Date 5 December 2019
Publication Country United Kingdom

Description

A brilliant feminist novel from Weimar Germany, from the author of Child of All Nations Gilgi knows where she's going in life- she's ambitious, determined and fearless. She's not even derailed when her parents drop a massive bombshell on her twenty-first birthday. But then she meets the charming but aimless Martin, and for the first time, Gilgi finds herself blown bewilderingly and dangerously off-course. Set in Cologne against the backdrop of rising Nazism, Irmgard Keun's astonishing debut electrified Weimar Germany. With its frank exploration of sex, abortion, work and love, it feels as fresh today as when it first appeared.

Author Biography

Irmgard Keun was born in Berlin in 1905 and found instant success with her novels Gilgi (1931) and The Artificial Silk Girl (1932). Everything changed in 1933 when the Nazis blacklisted her and destroyed her books; in response, she attempted to sue the Gestapo for loss of earnings. She left Germany (and her husband) in 1936 and lived in exile in Europe, where she wrote Child of All Nations (1936) and After Midnight (1937). She sneaked back into Germany in 1940 under a false name and spent the rest of the war in Cologne. In later years, she wrote for magazines and radio and raised a daughter alone. She died in 1982.

Reviews

A gem of novel, a bittersweet delight ... Keun brilliantly conveys both the decadence and the despair of late-era Weimar Germany ... Expertly translated by Geoff Wilkes * Herald Scotland * I was struck by how contemporary the novel feels ... A female Times reviewer in 1932 noted that 'countless hard-working, industrious, healthy young girls recognized themselves in the heroine'. I suspect many members of our #MeToo generation will do so as well * The New York Times * The overwhelming power of Keun's work lies in her surprisingly raw, witty, and resonant feminine voices * Bookslut *