Spring: 'A dazzling hymn to hope' Observer

Description

Unmissable third instalment in the bestselling, critically adored, dazzling inventive novel cycle, the Seasonal Quartet What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? Spring. The great connective. With an eye to the migrancy of story over time, and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tells the impossible tale of an impossible time. In a time of walls and lockdown, Smith opens the door. The time we're living in is changing nature. Will it change the nature of story? Hope springs eternal.

Ali Smith was born in Inverness in 1962. She is the author of Spring, Winter, Autumn, Public library and other stories, How to be both, Shire, Artful, There but for the, The first person and other stories, Girl Meets Boy, The Accidental, The whole story and other stories, Hotel World, Other stories and other stories, Like and Free Love. Hotel World was shortlisted for the Booker Prize and the Orange Prize. The Accidental was shortlisted for the Man Booker Prize and the Orange Prize. How to be both won the Bailey's Prize, the Goldsmiths Prize and the Costa Novel of the Year Award, and was shortlisted for the Man Booker Prize. Autumn was shortlisted for the Man Booker Prize 2017 and Winter was shortlisted for the Orwell Prize 2018. Ali Smith lives in Cambridge.

Luminous, generous, hope-filled... The third book in Ali Smith's seasonal quartet is her best yet, a dazzling hymn to hope, uniting the past and present with a chorus of voices... [Ali Smith] is lighting us a path out of the nightmarish now * Observer * Is there a writer so critically acclaimed and universally beloved? ...Autumn, Winter and Spring are stories of the unlikely connections human beings can make and the cost exacted when those connections are broken. They are state of the nation novels which understand that the nation is you, is me, is all of us: the nation is our choices, our fears, our losses... [Ali Smith] is the national novelist we need in 2019 * New Statesman * An astonishing accomplishment and a book for all seasons * Independent * Smith is a masterful storyteller... Spring is political but Smith is more concerned with the human fallout of current affairs then the machinations of elites... Through her account of unlikely friendships, Smith brings human values to the fore. Savour it, because there is just one instalment left * Evening Standard * Spring weaves a story around the most pressing issues of our time... [A] bubbling, babbling brook of a book...Smith tells stories in a voice you can't help but listen to * The Times * A powerful vision of lost souls in a divided Britain... As Smith's Seasonal Quartet moves towards completion her own role in British fiction looks ever more vital. The final page proclaims spring 'the great connective'. It's not a bad description of Smith herself * Guardian * Beguiling... The eagerly awaited third instalment * Financial Times * Infectious in its energy and warmth * Daily Telegraph * Just when things were starting to look really bad, along comes the third instalment in Ali Smith's seasonal quartet to lift us out of the gloom... An extraordinary embodiment of the ways in which storytelling connects us... The work of Katherine Mansfield and Rilke, Greek myths and the propulsive lyricism of spring itself, thread together in narratives of loss and rejuvenation * Daily Mail * The third of her exceptional Seasonal quartet, which riffs back and forth with Autumn and Winter to expound on the importance of hope to move us beyond the darkest of times * I paper * The most compelling and coherent of the three books... Smith, as always is interested in how a story gets told, and who gets to tell it * Sunday Times * Ali Smith is one of our greatest living novelists, the Virginia Woolf of our times. * The Observer *