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The Divine Comedy: Inferno, Purgatorio, Paradiso

Paperback / softback

Main Details

Title The Divine Comedy: Inferno, Purgatorio, Paradiso
Authors and Contributors      Translated by Robin Kirkpatrick
By (author) Dante Alighieri
Physical Properties
Format:Paperback / softback
Pages:752
Dimensions(mm): Height 198,Width 129
Category/GenrePoetry by individual poets
ISBN/Barcode 9780141197494
ClassificationsDewey:851.1
Audience
General

Publishing Details

Publisher Penguin Books Ltd
Imprint Penguin Classics
Publication Date 29 November 2012
Publication Country United Kingdom

Description

Robin Kirkpatrick's superb translation of the most famous work of Italian literature, in a one-volume edition The Divine Comedy describes Dante's descent into Hell with Virgil as a guide; his ascent of Mount Purgatory and encounter with his dead love, Beatrice; and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation, described by Bernard O'Donoghue as 'likely to be the best modern version of Dante', is published here for the first time in a single volume.

Author Biography

Dante Alighieri was born in Florence in 1265 and belonged to a noble but impoverished family. His life was divided by political duties and poetry, the most of famous of which was inspired by his meeting with Bice Portinari, whom he called Beatrice,including La Vita Nuova and The Divine Comedy. He died in Ravenna in 1321. Robin Kirkpatrick is a poet and widely-published Dante scholar. He has taught courses on Dante's Divine Comedy in Hong Kong, Dublin, and Cambridge where is Fellow of Robinson College and Professor of Italian and English Literatures.

Reviews

The perfect balance of tightness and colloquialism . . . Likely to be the best modern version of Dante -- Bernard O'Donoghue Kirkpatrick brings a more nuanced sense of the Italian and a more mediated appreciation of the poem's construction than nearly all of his competitors * The Times * We gain much from Kirkpatrick's fidelity to syntax and nuance... His introduction...tells you, very readable indeed, pretty much all you need for a heightened appreciation of the work * Guardian *