The Forsyte Saga: Volume 1

Description

The Forsyte Saga is the first part of John Galsworthy's magnificent, well-loved Forsyte Chronicles, which trace the changing fortunes of the wealthy Forsyte dynasty through fifty years of material triumph and emotional disaster. The Forsyte Saga begins as the nineteenth century is drawing to a close, and the upper middle classes, with their property and propriety, are becoming a dying section of society. The Forsytes are blind to this fact, clinging to their conventions and 'brilliant respectability'. As dignified Soames Forsyte struggles to uphold the old moral code in the face of the social revolution resulting from the Great War, his wife Irene's extraordinary beauty causes even more disruption. The bitter feud between them comes to split the Forsyte family for two generations.

John Galsworthy, the son of a solicitor, was born in 1867 and educated at Harrow and the New College, Oxford. He was called to the Bar in 1890, but a chance meeting with Joseph Conrad, and the strong influence of his future wife, turned him to writing. A collection of short stories, From the Four Winds (1897), was followed by a novel entitled Jocelyn (1898), The Man of Property appeared in 1906 and, together with In Chancery and To Let, completed the first volume of the Forsyte trilogy, The Forsyte Saga, published in 1922. His playwrighting career began in 1906 with The Silver Box, the first of a long line of plays with social and moral themes. The second Forsyte trilogy, which included The White Monkey, The Silver Spoon and Swan Song, was published as A Modern Comedy in 1929. In 1931 Galsworthy followed the immense success of the Forsyte books with a further collection of stories, On Forsyte Change. The final Forsyte trilogy, containing Maid in Waiting, Flowering Wilderness and Over the River, was published posthumously as The End of the Chapter in 1934. The nine novels in his three Forsyte trilogies are published in Penguins. A television serial of the Forsyte chronicles, presented by the BBC in 1967, received great critical acclaim in Great Britain and over the world.