The Age of Decadence: Britain 1880 to 1914

Description

A major new work by one of Britain's leading journalists and most acclaimed historians 'A riveting account of the pre-First World War years . . . The Age of Decadence is an enormously impressive and enjoyable read.' Dominic Sandbrook, Sunday Times 'A magnificent account of a less than magnificent epoch.' Jonathan Meades, Literary Review The folk-memory of Britain in the years before the Great War is of a powerful, contented, orderly and thriving country. She commanded a vast empire. She bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamt of, and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence is familiar from Elgar's Pomp and Circumstance marches, newsreels of George V's coronation and the London's great Edwardian palaces. Yet things were very different below the surface. In The Age of Decadence Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation's massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century's gravest constitutional crisis and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists' public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press and the science fiction of H. G. Wells, but also the Arts and Crafts of William Morris and the nostalgia of A. E. Housman. And he concludes with the crisis that in the summer of 1914 threatened the existence of the United Kingdom - a looming civil war in Ireland. He lights up the era through vivid pen-portraits of the great men and women of the day - including Gladstone, Parnell, Asquith and Churchill, but also Mrs Pankhurst, Beatrice Webb, Baden-Powell, Wilde and Shaw - creating a richly detailed panorama of a great power that, through both accident and arrogance, was forced to face potentially fatal challenges. 'A devastating critique of prewar Britain . . . disturbingly relevant to the world in which we live.' Gerard DeGroot, The Times 'You won't put it down . . . A really riveting read.' Rana Mitter, BBC Radio 3 Free Thinking

Simon Heffer was born in 1960. He read English at Cambridge and took a PhD in modern history at that university. His previous books include- Moral Desperado- A Life of Thomas Carlyle, Like the Roman- The Life of Enoch Powell, Power and Place- The Political Consequences of King Edward VII, Nor Shall My Sword- The Reinvention of England, Vaughan Williams, Strictly English, A Short History of Power, Simply English and High Minds- The Victorians and the Birth of Modern Britain. In a thirty-year career in Fleet Street, he has held senior editorial positions on The Daily Telegraph and The Spectator, and is now a columnist for The Daily Telegraph and The Sunday Telegraph.

A riveting account of the pre-First World War years . . . A gloriously rich history . . . Balanced and judicious . . . The Age of Decadence is an enormously impressive and enjoyable read. -- Dominic Sandbrook * Sunday Times * Heffer has given us a magnificent account of a less than magnificent epoch . . . Vital and energetic. -- Jonathan Meades * Literary Review * Magisterial. -- Sam Leith * Spectator * The Age of Decadence is an impressively well-constructed book . . . Heffer weaves his wonderfully diverse strands of inquiry into a devastating critique of prewar Britain . . . Heffer's criticism of unbridled traditionalism is devastating and convincing. It's also disturbingly relevant to the world in which we live. * The Times * Mr Heffer combines a scholar's command of the primary literature with a journalist's eye for detail. He writes with admirable sensitivity about both music and literature: a better account of Elgar or Arnold Bennett would be hard to find. He does a brilliant job of exposing the rot beneath the glittering surface of late Victorian and Edwardian Britain . . . He writes with such exuberance - indeed with such Edwardian swagger - that he leaves the reader looking forward to his next volume. * The Economist *