Luckenbooth

Description

The hugely-anticipated third novel - ambitious, ferocious and gripping - from the prize-winning author of The Panopticon. ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE FOR FICTION, THE DESMOND ELLIOTT PRIZE FOR THE PANOPTICON and THE GORDON BURN PRIZE 2021 'One of the most stunning literary experiences I've had in years' Irvine Welsh 'Dazzlingly ambitious' Douglas Stuart, author of Shuggie Bain 'A gloriously transgressive novel' Ian Rankin 1910, Edinburgh. Jessie, the devil's daughter, arrives on the doorstep of an imposing tenement building and knocks on a freshly painted wooden door. She has been sent by her father to bear a child for a wealthy couple, but, when things go wrong, she places a curse on the building and all who live there - and it lasts a century. Caught in the crossfire are the residents of 10 Luckenbooth Close, and they all have their own stories to tell. While the world outside is changing, inside, the curse creeps up all nine floors and through each door. Soon, the building's longest kept secret - the truth of what happened to Jessie - will finally be heard.

Jenni Fagan was born in Scotland. She graduated from Greenwich University and won a scholarship to the Royal Holloway MFA programme. She has just completed her PhD at the University of Edinburgh. A published poet and novelist, she has won awards from Creative Scotland, Dewar Arts, Scottish Screen and Scottish Book Trust among others, and has twice been nominated for the Pushcart Prize. Jenni was selected as one of Granta's Best Young British Novelists after the publication of her debut novel, The Panopticon, which was shortlisted for the Desmond Elliott Prize and the James Tait Black Prize. Her adaptation of The Panopticon was staged by the National Theatre of Scotland to great acclaim. The Sunlight Pilgrims, her second novel, was shortlisted for the Royal Society of Literature Encore Award and the Saltire Fiction Book of the Year Award, and saw her win Scottish Author of the Year at the Herald Culture Awards. She lives in Edinburgh with her son.

One of the most stunning literary experiences I've had in years. LUCKENBOOTH, sprawling the decades with its themes of repression and revenge, brings back something that has long been lacking in the British novel: ambition. If Alasdair Gray's Lanark was a masterly imagining of Glasgow, then this is the quintessential novel of Edinburgh at its darkest. -- Irvine Welsh It's extraordinary. Make sure it's on your radar ... Definitely going to be one of my books of 2021, a gloriously transgressive novel of Edinburgh denizens past and present. -- Ian Rankin Over time, 10 Luckenbooth Close sinks from grand residence to condemned squat with secrets seething in its walls ... Luckenbooth is a place of compacted time, where the past manifests as unquiet ghosts and the future bleeds into the present ... There's a force in Luckenbooth's bizarre assemblage. * The Times * With Luckenbooth, [Jenni Fagan] gives us nine of Edinburgh's wildest and loneliest misfits ... Piles on claustrophobia and menace ... As we move between the characters' perspectives, gritty realism takes over from the gothic. This isn't fancy Edinburgh: at No 10 it's cigarettes, cocaine and Benzedrine for breakfast ... There are memorable creations ... Fagan's prose is poetic, high-octane, built on punchy sentences. Arresting descriptions of the city and its weather abound. This is not a novel that lacks energy. * Sunday Times * Jenni Fagan's Luckenbooth reminded me of one of my favourite novels, Georges Perec's Life: A User's Manual. Set in an Edinburgh tenement, it leaps across decades to tell the story of the curse that haunts No 10 Luckenbooth Close and its eccentric inhabitants. -- Alex Preston * Observer *