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Mr Pye

Paperback / softback

Main Details

Title Mr Pye
Authors and Contributors      By (author) Mervyn Peake
Physical Properties
Format:Paperback / softback
Pages:256
Dimensions(mm): Height 198,Width 129
Category/GenreModern and contemporary fiction (post c 1945)
ISBN/Barcode 9780099283263
ClassificationsDewey:823.912
Audience
General

Publishing Details

Publisher Vintage Publishing
Imprint Vintage Classics
Publication Date 2 December 1999
Publication Country United Kingdom

Description

Brimming with good cheer, Mr Pye decides to bring peace and love to Sark's 289 eccentric inhabitants. This is a charming fable about the battle bewteen good and evil. Equipped with love, Mr Harold Pye lands on the island of Sark, his mission to convert the islanders into a crusading force for the undiluted goodness that he feels within. The extraordinary inhabitants of the island range from the formidable Miss George in her purple busby to the wanton, raven-haired Tintagieu, 'five foot three inches of sex'. Mr Pye, however, is prone to excess and in the increasingly personalised struggle between good and evil, excess is very nearly his downfall.

Author Biography

Mervyn Peake was born in 1911. He is perhaps most famous for the 'Gormenghast' trilogy which were published between 1946 and 1959 - Titus Groan, Gormenghast and Titus Alone. He has also written a book for children, Captain Slaughterboard Drops Anchor and several volumes of poetry. He was also a gifted book illustrator. He died in 1968.

Reviews

The novel gives a clear sense of Sark as somewhere both remarkable and beautiful. * The Guardian * I am delighted to meet you,' trills Mr Pye to a fisherman. 'Are you, eh, you fat little porker,' the thug replies. 'B- you. * - * Peake has been praised, but he has also been mistrusted," observed Anthony Burgess in his introduction to Titus Groan . "His prose works are not easily classifiable: they are unique as, say, the books of Peacock or Lovecraft are unique . . . It is difficult, in postwar English writing, to get away with big rhetorical gestures. Peake manages it because, with him, grandiloquence never means diffuseness; there is no musical emptiness in the most romantic of his descriptions; he is always exact. * Anthony Burgess * The fable is cleverly and gracefully resolved and the final scenes are a joy to read. Peake's illustrations complement the novel very well and these, too, are examples of his charm, of his enormous illustrative range. * Washington Post *