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The God of Small Things: Winner of the Booker Prize

Paperback / softback

Main Details

Title The God of Small Things: Winner of the Booker Prize
Authors and Contributors      By (author) Arundhati Roy
Physical Properties
Format:Paperback / softback
Pages:368
Dimensions(mm): Height 198,Width 129
Category/GenreModern and contemporary fiction (post c 1945)
ISBN/Barcode 9780006550686
ClassificationsDewey:823
Audience
General

Publishing Details

Publisher HarperCollins Publishers
Imprint Fourth Estate Ltd
Publication Date 5 May 1998
Publication Country United Kingdom

Description

The Asian literary phenomenon of the 90s. More magical than Mistry, more of a rollicking good read than Rushdie, more nerve-tinglingly imagined than Naipaul, here, perhaps, is the greatest Indian novel by a woman. Arundhati Roy has written an astonishingly rich, fertile novel, teeming with life, colour, heart-stopping language, wry comedy and a hint of magical realism. Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family - their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist and bottom-pincher) and their avowed enemy Baby Kochamma (ex-nun and incumbent grand-aunt).

Author Biography

Arundhati Roy is the author of the novel The God of Small Things, which won the Booker Prize in 1997.

Reviews

'Richly deserving the rapturous praise it has received on both sides of the Atlantic... The God of Small Things achieves a genuine tragic resonance. It is, indeed, a masterpiece.' Observer 'The God of Small Things genuinely is a masterpiece, utterly exceptional in every way, and there can be little doubt that posterity will place it very near the top of any shortlist of Indian novels published this century.' William Dalyrmple, Harpers and Queen. 'The quality of Ms. Roy's narration is so extraordinary - at once so morally strenuous and so imaginatively supple - that the reader remains enthralled all the way through to its agonizing finish ... it evokes in the reader a feeling of gratitude and wonderment.' New York Times